"Laowai" in China | French scholar paints life with Chinese brush-Xinhua

"Laowai" in China | French scholar paints life with Chinese brush

Source: Xinhua

Editor: huaxia

2026-04-30 10:47:21

SHANGHAI, April 30 (Xinhua) -- Benoît Vermander, a French scholar born in 1960, is not only a professor and doctoral supervisor at the School of Philosophy of Fudan University but also a painter, poet, and cultural ambassador whose life has become a dialogue between East and West.

Vermander's journey with Chinese culture began in 1987, during his first visit to China. In Chengdu, upon encountering Chinese calligraphy for the first time, he was profoundly moved. "I found a form of nature within calligraphy and ink painting," Vermander recalled. What captivated him most was the Chinese brush -- an instrument he describes as "intelligent," one that responds to human sensitivity and consciousness. For Vermander, this brush unlocked his creativity and has remained his closest companion ever since.

Benoît Vermander is pictured at the site of his own exhibition at Fudan University in east China's Shanghai, April 22, 2026. (Xinhua/Liu Ying)
Benoît Vermander introduces his academic monograph at the site of his own exhibition at Fudan University in east China's Shanghai, April 22, 2026. (Xinhua/Liu Ying)
Benoît Vermander introduces his works at the site of his own exhibition at Fudan University in east China's Shanghai, April 22, 2026. (Xinhua/Chen Haoming)
Benoît Vermander paints at a studio in Shanghai, east China, April 22, 2026. (Xinhua/Liu Ying)
Benoît Vermander introduces his works at the site of his own exhibition at Fudan University in east China's Shanghai, April 22, 2026. (Xinhua/Liu Ying)

That initial spark of appreciation grew into a lifelong engagement. Since the 1990s, he has systematically studied the Chinese language, delved into ancient Chinese philosophy, practiced calligraphy, and researched contemporary Chinese ink painting. In 2009, he formally joined Fudan University as a faculty member.

In both his academic and artistic work, Vermander consistently bridges Eastern and Western traditions. His oil paintings boldly incorporate the ink-wash technique of "retaining blankness," while his ink paintings break from convention by weaving in Western philosophical themes. Through his brush, he facilitates a quiet yet powerful convergence of civilizations.

Benoît Vermander talks with a student at the site of his own exhibition at Fudan University in east China's Shanghai, April 22, 2026. (Xinhua/Chen Haoming)
Benoît Vermander delivers a lecture on the Tao Te Ching to his students at Fudan University in Shanghai, east China, April 22, 2026. (Xinhua/Chen Haoming)
Benoît Vermander delivers a lecture on the Tao Te Ching to his students at Fudan University in Shanghai, east China, April 22, 2026. (Xinhua/Liu Ying)

In April 2026, his first Chinese poetry collection was published. In his own words, "I have never separated my poetry writing from my reflections on Chinese philosophy, comparative philosophy, or anthropology."

Benoît Vermander is pictured at the site of his own exhibition at Fudan University in east China's Shanghai, April 22, 2026. (Xinhua/Liu Ying)
Benoît Vermander browses his Chinese poetry collection in Shanghai, east China, April 22, 2026. (Xinhua/Chen Haoming)
Benoît Vermander prepares brushes for painting at a studio in Shanghai, east China, April 22, 2026.  (Xinhua/Liu Ying)

Vermander's artworks have been exhibited around the world. Currently, Fudan University is hosting a retrospective exhibition showcasing nearly three decades of his creative output.

It all began with a single Chinese brush. For nearly forty years, Vermander has been composing a heartfelt story of friendship between a French scholar and the rich world of Chinese culture.


Coordinators: Wang Qingqin, Meng Chenguang, Hu Zhixuan, Tang Rufeng

Reporters: Liu Ying, Chen Haoming

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